She has always been a very controversial figure as well as a very central figure in my life. I had a feeling that my mother would be at the center of a lot of the conversations. Your relationship with your mother is a major throughline in Pretty Baby. There was hardly any conversation about it, to me personally, when I was a child. ![]() I’m now a mother of two young women, and the conversation we have around sexuality is very different today than it was. I’ve been a part of the conversation - or maybe not even a part of the conversation, but part of the focus - and that narrative itself has changed over time, depending on outside influences and the era. Myself being at the eye of that storm on many different levels throughout the decades. It’s a larger conversation on the sexualization of young women. You said you see yourself as a conduit to a larger conversation. So when they came to me with a documentary, “I happen to have some materials.” ( Laughs.) I figured, rather than it all disintegrating, I would go through the expense and the process of digitizing it. I’ve been around since quarter-inch, Beta, reel to reel. My mother saved everything, so the material goes so far back. I spent an extraordinary amount of time just talking and sharing the extensive archives that I had unbelievably finished the process of digitizing. I trust the creative and the intellectual aspect of what that team brings to it. ![]() ![]() I am not the director of it, I’m not the producer. took it out of the realm of just biopic.ĭid you know what you wanted to relay to possible viewers heading into the doc? On all the other situations, they either felt premature or they felt like they were coming at my story from the wrong direction. I have been approached multiple times, and it didn’t feel like the right entities for whatever the reason, and it also felt too soon, in many ways. Why was now the right time to make a documentary? “It was quite expanding to me to look at all of it, in its entirety, and be proud of who I am and how I’ve evolved,” says Shields, who talked to THR ahead of Pretty Baby’s Park City premiere. And, for the first time, she chooses to discuss a sexual assault by an unnamed Hollywood professional in a hotel room when she was in her 20s, after graduating from Princeton University, and experiencing a career lull. ![]() Of course, Pretty Baby, which counts Alexandra Wentworth and George Stephanopoulos as executive producers, does document Shields’ life, from her relationship with her mother, Teri Shields, to her friendship with Michael Jackson and a decades-spanning career that includes touchstones like 1980’s The Blue Lagoon, her iconic Calvin Klein ads and her later TV career with the sitcom Suddenly Susan. “To me, that felt like a much more intelligent, interesting way to approach a story - a person, a journey - through the lens of the changing climate and where we are today,” Shields says. This is intercut with talking-head academics and sociologists who offer historical and cultural context about the objectification of girls. The doc’s archival work includes magazine covers with headlines like, “I’m Shocked by the Child Who Drives Men Crazy” (Shields was 9 at the time) and a parade of clips of male late night hosts questioning a prepubescent Shields about her sexuality in the wake of Pretty Baby. The doc, which sometime after its Sundance debut will be released in two parts on Hulu, draws its name from Louis Malle’s 1978 drama that, while critically acclaimed, was widely criticized for featuring child prostitution and a nude preteen Shields. Emilia Jones and Nicholas Braun's Fling Turns Tense in 'Cat Person' Trailer
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